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Bruegel: a once-in-a-lifetime exhibition in Vienna starts from October 2, 2018

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On October 2, 2018 the Kunsthistorisches Museum in Vienna will open the first-ever major monograph exhibition dedicated to Pieter Bruegel the Elder, the greatest Netherlandish painter of the sixteenth century (c. 1525/30−1569). By bringing together over 90 artworks by the master, the show gives a comprehensive overview of Bruegel’s oeuvre for the very first time. None of the institutions could ever gather so many of his panel paintings, drawings, and prints as the Kunsthistorisches Museum did this year. Don’t miss your chance to see the masterpieces!
Coming exhibition Bruegel in Vienna commemorates the 450th anniversary of death of the greatest Netherlandish painter and gives visitors an exclusive opportunity to deepen into the complex pictorial world of the artist, to study his art style, unique narrative powers, and edgy sense of humor.

The Kunsthistorisches Museum has done an incredible job in assembling over 90 works by Bruegel, including three-quarters of his extant paintings from around the world and almost half of his preserved drawings and prints. Most of his wooden panels have never left their dwellings before because of their fragility. The curators have come through a very long road to persuade more than 25 institutions to lend the treasures from their collections. Among them are museums from Munich, Dresden, Berlin, Rotterdam, Brussels, Antwerp, Amsterdam, London, Paris, Rome, Madrid, Prague, Washington, New York, and other private collections. And these have only supplemented the largest collection of Bruegel panels in the world (12 pieces) that were collected by Habsburgs and are kept in the Kunsthistorisches Museum, Vienna.
What will we see at the exhibition?

Bruegel’s works will be arranged both chronologically and thematically. One section will focus on his religious works, displaying numerous masterpieces including The Triumph of Death (1563), coming from Museo Nacional del Prado in Madrid (above) and Dulle Griet (also known as Mad Meg, 1564) from Museum Mayer van den Bergh, Antwerpen (bellow), both especially restored for the exhibition.
For the first time, Christ Carrying the Cross (1564) from the Kunsthistorisches Museum’s own collection, will be on show unframed. The largest panel by Bruegel, it is one that has also retained its original format. The painting will be displayed so that both its back and front are visible, and visitors will be able to see and appreciate the fragility of the wooden support and study×A study is an exercise painting that helps the painter better understand the object he or she paints. It is simple and clear, like sample letters in a school student’s copybook. Rough and ready, not detailed, with every stroke being to the point, a study is a proven method of touching the world and making a catalogue of it. However, in art history, the status of the study is vague and open to interpretation. Despite its auxiliary role, a study is sometimes viewed as something far more significant than the finished piece. Then, within an impressive frame, it is placed on a museum wall.
So, when does a study remain a mere drill, and when can we call it an artwork in its own right, full of life and having artistic value? read more
how it was constructed. Reasons why Bruegel’s paintings have still survived through four and a half centuries are the perfection of paint layer and the outstanding quality of handling.
The works featuring abundance of detail in Bruegel’s paintings will be displayed in a smaller room. These will show the artist as a trained miniaturist who invites viewers to reflect on the complexity of the image contents. Nothing is placed in Bruegel’s works by accident. They are always teemed with tiny characters and usually carry moralizing meaning.

The highlights of this room will be the two Towers of Babel (1563), placed side by side. Once, they both were in the same collection of Emperor Rudolf II, but later have been separated for a long time. Especially for the show, the Bruegel’s Tower of Babel will come for the sensational comparison from Rotterdam.
Pieter Bruegel The Elder. The tower of Babel
Pieter Bruegel The Elder. The Tower of Babel (little)
  • Pieter Bruegel the Elder. The Tower of Babel. 1563. Kunsthistorisches Museum, Vienna
  • Pieter Bruegel the Elder. The Tower of Babel after 1563. Museum Boijmans Van Beuningen, Rotterdam
A place of honor will be given to the worldwide-known Bruegel’s work Battle Between Carnival and Lent (1559). Kunsthistorisches Museum Vienna planned to make a tactile version of the celebrated work to invite visitors — especially blind and partially sighted ones — to «comprehend» the painting. The curators claimed that they would use a 3-D printer to create models of some of the every-day objects scattered throughout the painting, and by doing so, provide a barrier-free access to the masterpiece by Pieter Bruegel the Elder. You can read the details in our preview.

This picture not only shows Bruegel’s unrivalled skill in capturing the material quality of depicted objects but also showcases his perceptiveness as a social critic. Curators will help viewers to comprehend the meaning of the individual scenes and find answers to moralistic interpretation of the painting.
To show Bruegel’s inventive technics that brought new naturalism to landscape paintings, the exhibition presents Hunters in the Snow (1565) and other pictures from his famous «Months of the Year» series, including The Return of the Herd (1565) and The Gloomy Day (1565). The viewers will be stunned by marvelous panoramic views of the landscape from the edge of a very high cliff where nature is exalted and given center stage.
Pieter Bruegel The Elder. Hunters in the snow
Pieter Bruegel The Elder
1565, 117×162 cm
Pieter Bruegel The Elder. Return of the herd (Autumn)
Pieter Bruegel The Elder
1565, 117×159 cm
Pieter Bruegel The Elder. The Gloomy Day
Pieter Bruegel The Elder
1565, 118×163 cm
The final gallery will present Bruegel’s late works, which brought the author nickname 'Peasant Bruegel'. They display the artist’s close attention to rustic life in the Low Countries (which then encompassed Belgium, the Netherlands, and French Flanders) during the Northern Renaissance. These works are so complex that even 450 years after death of the author, we still don’t know exactly why Bruegel chose his subject matter and the attitude he held toward the communities he captured.

In this section viewers will see Peasant Wedding, Peasant Dance, The Magpie on the Gallows, The Birdnester and the monumental drawing The Beekeepers and the Birdnester.
Pieter Bruegel The Elder. Peasant wedding
Pieter Bruegel The Elder
1568, 114×163 cm
Pieter Bruegel The Elder. Peasant dance
Pieter Bruegel The Elder
1568, 114×164 cm
Pieter Bruegel The Elder. Magpie on the gallows
Pieter Bruegel The Elder
1568, 45.9×50.8 cm
Pieter Bruegel The Elder. The Peasant and the Nest Robber (The Peasant and the Bird Nester)
Pieter Bruegel The Elder
1568, 59.3×68.3 cm
Pieter Bruegel The Elder. The Beekeepers and the Birdnester
Pieter Bruegel The Elder
1568, 20.3×30.9 cm
Bruegel’s wooden panels will be surrounded by the large number of his drawings and prints that hold a place among the world’s finest engravings and woodcuts. They will display the outer world of nature and man, including landscapes, ships and the sea, and memorable portraits of sixteenth-century Low Countryies' citizens, from aristocrats and burghers to villagers and peasants. There will also be plenty of graphics that envision the inner worlds of imagination, morality, and religion with scenes from the Gospels and Apocrypha.


Pieter Bruegel The Elder. View of the Ripa Grande in Rome
Pieter Bruegel The Elder
1555, 20.7×28.3 cm
Pieter Bruegel The Elder. The Temptation of Saint Anthony
Pieter Bruegel The Elder
1556, 21.5×32.6 cm
Pieter Bruegel The Elder. Big Fish Eat Little Fish
Pieter Bruegel The Elder
1556, 23×29.6 cm
Pieter Bruegel The Elder. The Painter and the Connoisseur
Pieter Bruegel The Elder
1566, 20.3×30.9 cm
The exhibition BRUEGEL is to run from October 2, 2018 to January 13, 2019 at the Kunsthistorisches Museum in Vienna, Austria.
Written on materials of the Kunsthistorisches Museum in Vienna. Title illustration: Pieter Bruegel the Elder, detail of Dulle Griet, 1562 (?), oil on panel, 117,4×162 cm. Museum Mayer van den Bergh, Antwerpen, Belgian © Museum Mayer van den Bergh
Художники, упоминаемые в статье
Питер Брейгель Старший
Биография • Работы
 
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