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Exiled from Truth: Nine Allegories by Dmitry Borshch
Выставка 10 июля − 4 августа 2018
"Exiled from Truth: Nine Allegories by Dmitry Borshch"
105 NY-110, Melville, NY 11747
July 10, 11 am – August 4, 7 pm
Tuesday – Saturday, 11 am – 7 pm, free admission
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
Russian American Cultural Center (RACC) presents "Exiled from Truth: Nine Allegories by Dmitry Borshch", an exhibition in close stylistic relationship with Borshch's last exhibition, "Iconography". They are pendants related through style but not genre. About the newly exhibited series its author writes, "'Exiled from Truth: Nine Allegories' is the title under which some allegorical pictures are collected, possibly more than nine: the series continues to develop. They are united by color, style, and technique, so I view them as a homogeneous collection of drawings. Allegory, drawn or written, is a product of that mind which regards truth as existing-in-absence: it does exist yet is absent from our view. Allegories like mine would not be needed if truth were openly present." "Iconography", a series that has evolved for almost nine years while retaining its cohesion, belongs to another genre. Inspired by prints after Anthony van Dyck’s drawings which collectively bear the same name, it includes portraits of living artists, writers, politicians, distinguished soldiers.
Dr. Regina Khidekel curated "Exiled from Truth" and "Iconography" at RACC's new satellite space in Melville. Both exhibitions are supported by funds from the New York City Department of Cultural Affairs in partnership with the City Council.
Russian American Cultural Center (520 East 76th Street, Suite 7E New York, NY 10021) aims to provide permanent cultural representation to more than 700,000 Russian-speaking residents of New York. It was founded in 1998 by Dr. Regina Khidekel and earned its 501(c)(3) tax-exempt status in 1999. RACC has adopted and broadened the strategy of organizations like No Longer Empty (www.nolongerempty.org/), which invigorate neighborhoods by mounting exhibitions in their unutilized or temporarily underutilized spaces. Visitors coalesce around a space where art may never have been exhibited before.
Regina Khidekel received her PhD from St. Petersburg Academy of Fine Arts, became the director of that city's Diaghilev Art Center in 1990, and in 1998 the founding director of the Russian American Cultural Center in New York. She is the author of "It's the Real Thing" (1999, University of Minnesota Press), and has contributed essays to the following publications: "Lyubov Popova" (1994), "Lazar Khidekel: Suprematism and Architecture" (1995), "Sterligov Group: Paintings from Russia" (1995), "Russian Constructivist Roots: Present Concerns" (1997), "Forbidden Art" (1998), "Lev Meshberg" (1999), "Tamar Hirschl" (2000), "In Malevich's Circle" (2000), "A Life of Colors" (2001), "Surviving Suprematism" (2004), "Family Album. Artists from St. Petersburg" (2006), "Anna Rochegova" (2008), "Homage to Diaghilev's Enduring Legacy" (2009), "Trajectory of Suprematism" (2011), "Floating Worlds and Future Cities: Lazar Khidekel, Suprematism and Russian Avant-garde" (2013), "Building Drawings and Drawing Buildings" (2014), "Lazar Khidekel and Suprematism" (2014). She has lectured at many universities, and curated many exhibitions.
Dmitry Borshch was born in Dnepropetrovsk, studied in Moscow, today lives in New York. His drawings and sculptures have been exhibited at the National Arts Club (New York), Brecht Forum (New York), Exit Art (New York), CUNY Graduate Center (New York), Salmagundi Club (New York), ISE Cultural Foundation (New York), Williamsburg Art and Historical Center (New York), Triangle Arts Association (New York), Parish Art Museum (Southampton), International Human Rights Law Institute of DePaul University (Chicago), the State Russian Museum (Saint Petersburg), Central Exhibition Hall 'Manege' (Saint Petersburg), Frieze Art Fair (London).
www.russianame…y-borshch/
About the images:
"Wildbirds Among Branches"
2008, ink on paper, 15 x 20 inches
"Daughters of the Dust", also called "The Undertaker’s Pale Children"
2010, ink on paper, 26 x 21 inches
105 NY-110, Melville, NY 11747
July 10, 11 am – August 4, 7 pm
Tuesday – Saturday, 11 am – 7 pm, free admission
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
Russian American Cultural Center (RACC) presents "Exiled from Truth: Nine Allegories by Dmitry Borshch", an exhibition in close stylistic relationship with Borshch's last exhibition, "Iconography". They are pendants related through style but not genre. About the newly exhibited series its author writes, "'Exiled from Truth: Nine Allegories' is the title under which some allegorical pictures are collected, possibly more than nine: the series continues to develop. They are united by color, style, and technique, so I view them as a homogeneous collection of drawings. Allegory, drawn or written, is a product of that mind which regards truth as existing-in-absence: it does exist yet is absent from our view. Allegories like mine would not be needed if truth were openly present." "Iconography", a series that has evolved for almost nine years while retaining its cohesion, belongs to another genre. Inspired by prints after Anthony van Dyck’s drawings which collectively bear the same name, it includes portraits of living artists, writers, politicians, distinguished soldiers.
Dr. Regina Khidekel curated "Exiled from Truth" and "Iconography" at RACC's new satellite space in Melville. Both exhibitions are supported by funds from the New York City Department of Cultural Affairs in partnership with the City Council.
Russian American Cultural Center (520 East 76th Street, Suite 7E New York, NY 10021) aims to provide permanent cultural representation to more than 700,000 Russian-speaking residents of New York. It was founded in 1998 by Dr. Regina Khidekel and earned its 501(c)(3) tax-exempt status in 1999. RACC has adopted and broadened the strategy of organizations like No Longer Empty (www.nolongerempty.org/), which invigorate neighborhoods by mounting exhibitions in their unutilized or temporarily underutilized spaces. Visitors coalesce around a space where art may never have been exhibited before.
Regina Khidekel received her PhD from St. Petersburg Academy of Fine Arts, became the director of that city's Diaghilev Art Center in 1990, and in 1998 the founding director of the Russian American Cultural Center in New York. She is the author of "It's the Real Thing" (1999, University of Minnesota Press), and has contributed essays to the following publications: "Lyubov Popova" (1994), "Lazar Khidekel: Suprematism and Architecture" (1995), "Sterligov Group: Paintings from Russia" (1995), "Russian Constructivist Roots: Present Concerns" (1997), "Forbidden Art" (1998), "Lev Meshberg" (1999), "Tamar Hirschl" (2000), "In Malevich's Circle" (2000), "A Life of Colors" (2001), "Surviving Suprematism" (2004), "Family Album. Artists from St. Petersburg" (2006), "Anna Rochegova" (2008), "Homage to Diaghilev's Enduring Legacy" (2009), "Trajectory of Suprematism" (2011), "Floating Worlds and Future Cities: Lazar Khidekel, Suprematism and Russian Avant-garde" (2013), "Building Drawings and Drawing Buildings" (2014), "Lazar Khidekel and Suprematism" (2014). She has lectured at many universities, and curated many exhibitions.
Dmitry Borshch was born in Dnepropetrovsk, studied in Moscow, today lives in New York. His drawings and sculptures have been exhibited at the National Arts Club (New York), Brecht Forum (New York), Exit Art (New York), CUNY Graduate Center (New York), Salmagundi Club (New York), ISE Cultural Foundation (New York), Williamsburg Art and Historical Center (New York), Triangle Arts Association (New York), Parish Art Museum (Southampton), International Human Rights Law Institute of DePaul University (Chicago), the State Russian Museum (Saint Petersburg), Central Exhibition Hall 'Manege' (Saint Petersburg), Frieze Art Fair (London).
www.russianame…y-borshch/
About the images:
"Wildbirds Among Branches"
2008, ink on paper, 15 x 20 inches
"Daughters of the Dust", also called "The Undertaker’s Pale Children"
2010, ink on paper, 26 x 21 inches
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