In this article we will discuss a broad topic such as perspective, its importance in art, and its types.
Aerial perspective - definition in art
What is aerial perspective in art? You may define aerial perspective in art simply. It is illusory changes in individual features of objects (objects) that appear under the influence of air and space. It is divided into tonal, light, and color.The first law of aerial perspective says that the objects that are in the foreground are perceived by the observer in detail, and it sees the distant objects in general.
For the transfer of objects to be correct, nearby objects must be drawn in detail, and distant objects in a generalized way.
According to the second law of aerial perspective, objects in the foreground are perceived clearly by the eye, while objects in the distance are indefinitely perceived.
For the correct transmission of space in painting, the contours of close objects should be displayed sharper, and distant ones should be softer.
According to the 3rd law of aerial perspective, light objects in the background appear darker, and dark objects appear lighter. To correctly show space in painting, light objects should be shaded a little, and dark ones should be made lighter.
The 4th law of aerial perspective states that: objects that are close to the observer have contrasting chiaroscuro and look three-dimensional, and in distant objects, chiaroscuro is practically not visible, and they are seen as flat.
The 5th law of aerial perspective is formulated as follows: under the cover of haze, distant objects acquire their color and become purple, bluish, bluish, or whitish.
To correctly convey space in painting, foreground objects should be painted more brightly, and distant objects should be made pale.
The 6th law of aerial perspective states that objects in the foreground are perceived as multi-colored, while objects in the distance are approaching monochrome.
For the correct transmission of space in painting, the contours of close objects should be displayed sharper, and distant ones should be softer.
According to the 3rd law of aerial perspective, light objects in the background appear darker, and dark objects appear lighter. To correctly show space in painting, light objects should be shaded a little, and dark ones should be made lighter.
The 4th law of aerial perspective states that: objects that are close to the observer have contrasting chiaroscuro and look three-dimensional, and in distant objects, chiaroscuro is practically not visible, and they are seen as flat.
The 5th law of aerial perspective is formulated as follows: under the cover of haze, distant objects acquire their color and become purple, bluish, bluish, or whitish.
To correctly convey space in painting, foreground objects should be painted more brightly, and distant objects should be made pale.
The 6th law of aerial perspective states that objects in the foreground are perceived as multi-colored, while objects in the distance are approaching monochrome.
To correctly show space in painting, near objects must be depicted with a large number of colors, and distant objects must be as uniform as possible in color.
Examples of aerial perspective in art
Air is transparent, but its transparency is not constant and depends on the amount of moisture and dust in it. Enveloping an object, the air changes its appearance. This means that all objects are perceived in one way or another, depending on the composition of the air layer.The brightness of lighting, the time of year and day, weather phenomena, the properties of the object’s surface, and the features of human visual perception also contribute to visual perception.
Among the works often cited as examples of the application of aerial perspective in art definition are three paintings of Leonardo’s maturity: the Mona Lisa, the Annunciation, the Virgin with Saint Anne and the Child, and Our Lady of the Rocks (Paris). Piero Della Francesca also used this technique in the landscape of the Double Portrait of the Dukes of Urbino.
