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Kazimir
Malevich
Ukraine
• 1879−1935
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История искусства, по определению, повествует о прошлом, но ежегодно по крупицам собирается теми, кто живёт в настоящем. В 2017 году мы получили новое представление о ранних годах Леонардо да Винчи и последней работе Рафаэля, исследователи нашли произведе
История искусства, по определению, повествует о прошлом, но ежегодно по крупицам собирается теми, кто живёт в настоящем. В 2017 году мы получили новое представление о ранних годах Леонардо да Винчи и последней работе Рафаэля, исследователи нашли произведе
Картина «Чёрный прямоугольник, красный квадрат», которую считали произведением Казимира Малевича и которая входила в публичную коллекцию земли Северная Рейн-Вестфалия в Германии, оказалась подделкой. Первоначально полотно было датировано 1915-м годом, но
Картина «Чёрный прямоугольник, красный квадрат», которую считали произведением Казимира Малевича и которая входила в публичную коллекцию земли Северная Рейн-Вестфалия в Германии, оказалась подделкой. Первоначально полотно было датировано 1915-м годом, но
Кураторы открывающейся 24 ноября на ВДНХ выставки работ «отца супрематизма» намерены по-новому представить творчество Казимира Малевича. Без Малевича историю русского и мирового авангарда представить невозможно. А само его имя - без пресловутого квадрата.
Кураторы открывающейся 24 ноября на ВДНХ выставки работ «отца супрематизма» намерены по-новому представить творчество Казимира Малевича. Без Малевича историю русского и мирового авангарда представить невозможно. А само его имя - без пресловутого квадрата.
Выставка «Некто 1917» в Государственной Третьяковской галерее рассматривает одну из сложнейших проблем культуры — соотношение искусства и реальности. В разных исторических ситуациях эти отношения строились по-разному, но в России революционной эпохи приоб
Выставка «Некто 1917» в Государственной Третьяковской галерее рассматривает одну из сложнейших проблем культуры — соотношение искусства и реальности. В разных исторических ситуациях эти отношения строились по-разному, но в России революционной эпохи приоб
Suprematism. Kazimir Malevich and his Love Supreme
Suprematism is one of the most influential trends of abstract art in the twentieth century. Suprematism renders the structure of the universe in simple geometric forms, like a straight line, a rectangle, a circle, a square on a light background, signifyin
Malevich and Impressionism: how it went
Kazimir Severinovich Malevich was a great story-teller, the sincerest, successive and inventive mystifier of own biography. Malevich made a mess of things and to a great extent invented the story of his relationships with impressionism, like some people i
It's not that black... 7 misconceptions about The Black Square by Malevich
The Black Square by Kazimir Malevich - as The Owls by David Lynch - is not what it seems. The admirers of The Black Square endue their favourite artwork with implications, meanings and notions Malevich was unaware of, they try to complicate what is really
How could you? Several versions of how Malevich created The Black Square
The Black Square by Malevich is not so much a painting, but the phenomenon. It is being studied, it is attempted to repeat, people extol and deny it, laugh at, they pray at it and send curses at it — it seems that arguments around it will never stop. Main
Malevich with dictionary. Zemlyanit, architecton, vsezver and other significant words in Malevich's universe
Kazimir Malevich was tongue-tied and eloquent simultaneously. Barbarian and "bookless": when he talked, his well-read interlocutors listened to him with their mouths wide open, as Malevich`s speeches were full of chthonian drive as his paintings were. Odd
Malevich and representational art
Overalls, trams, pillow-cases and famous faceted glass. Malevich, a tireless singer of objectlessness, had a hand in designing absolutely earthly and tangible things. When Kazimir Malevich was creating a painting, he did not care whether anybody would hav
Whatever they say: admirers and critics of Kazimir Malevich about his fanaticism, innovation and boots
Malevich, as well as his work, didn’t leave anyone untouched. If he was spoken of, then it was done with awsome aspiration or with unconcealed hostility. It was so in his lifetime, and the decades after his death it remains the same. His awkwardness and d
Kazimir Malevich about Repin`s wretchedness, harm of labour, horrors of communism, female hams and joys of peasant life
Kazimir Malevich was not famous for his eloquence. He boasted that he almost didn`t read books and didn`t squander his time on polishing his verbal expressions. However, he was a natural born speaker. There was a kind of unexplained magic in his rough and
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