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Gleb
Glebovich Gamazin

Russia 
born in 1957
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Gleb Gamazin was an outstanding artist. In the sphere of his activities, he worked with dozens of professors from different universities of the world, prepared and taught hundreds of students in Europe and had great influence on the development of art and design in Germany.
Prinimau active part in the revival of the Bauhaus Dessau in the early 90s he was the last artist on the staff of the Bauhaus in the pre-computer era of humanity. Adopting the new possibilities of technology, he was able to effectively move fine art in new types and forms, such as exhibition design, light design and video.

1974-1980 Studied at the Moscow state University of Arts of painting and architecture simultaneously. By the end of University, got the position of assistant and then associate Professor of drawing and composition (1980-1985)

In 1985 he Became a member of the Union of artists of the USSR and worked as a freelance artist and designer in Moscow. From 1985-1990, he took an active part in exhibitions in Russia, Sweden, Australia, America and Germany, including Expo 88. Some works are now in the Museum of Mayakovsky in Moscow and Rybinska, Gosudarstvennosti the Museum.

1990 At the invitation of the Director of the Bauhaus, Prof. Dr. Rolf Kuhn, moved to Germany and worked as an Artist and leading an experimental workshop at the Bauhaus.
With the base of the Foundation Bauhaus Dessau, moved at the request of the host Academy, the Bauhaus, Etc. Timo Tannins, a division of the Academy of the Bauhaus.
Through the work of the Foundation Bauhaus-Dessau has initiated and conducted many international projects.

In 1992 he took an active part in the revival and the Foundation of the University of Anhalt and are also taught fundamentals of design at the faculties of architecture and design.

From 1993 to 1998, he was the organizer of the pilot projects at the Academy of the Bauhaus, between students of architecture and design from universities in Russia, England, Canada and Italy and maintained close ties of the Foundation of the Bauhaus with the universities of Humberside, Moscow Dizaineriem, University of Ottawa, Carrara Academy, Bergamo and others.

With the introduction of computers in creativity and lightning-fast developments in technology, experimenting with new materials and computer graphics into art.
Until the middle of 2000 worked mainly in the Department of mass communications at the Bauhaus and developed exhibitions and events.
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