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Andrei
Khanov
born in 1964 •
 
artist
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For example, the flatness of post-painting abstraction is a sign. Postmodernism used this element (sign - picture) as a generalization. Therefore, the first way to feel the sphere: there are different points of view, among them there are opposite ones, and all points of view are equivalent, that is, they are equidistant from their center. An example from mathematics is the Romanov infinite universe, which seems to be such an observer from the three-dimensional world. From the point of view of a mathematician operating in four dimensions - it is a closed sphere. For example, the flatness of post-painting abstraction is a sign. Postmodernism used this element (sign - picture) as a generalization. Therefore, the first way to feel the sphere: there are different points of view, among them there are opposite ones, and all points of view are equivalent, that is, they are equidistant from their center. An example from mathematics is the Romanov infinite universe, which seems to be such an observer from the three-dimensional world. From the point of view of a mathematician operating in four dimensions - it is a closed sphere.

13. What is the new, postmodern, fourth dimension?

The scope of all social discourses. This space, in a straight line, cannot be seen, but you can feel how it is dissolved in everyday life and you can feel how our ideas about it are changing. And rhythms and changeability - if you see or feel them - change your own destiny. The ability to combine incongruous is manifested in matters like color balance, balance of forms and the fate of the artist. All this is the theory of Gu Kaiji, an ancient Chinese artist and painting theorist. If you understand the transience, the variability of everything, then it is very easy to build a form, because you do not become attached to one of its variants, you see the whole structure. We may not initially believe that we are capable of indicating something with this semantic form, then this is self-irony or hypothesis. But, it can be a reinforced concrete argument that everything is proved. And all this variety of possible combinations of the form of the idea, its meaning and reliability of the meaning is a semiotic sign, an abstraction. Abstraction immediately began to be perceived by sacred space, such as the Mark Rothko chapel. But, this chapel cannot be a temple of post-painting abstraction, because there is a certain defect in it, as a hint that there is something more than this plane of the picture. And Pollock has it, and Rothko, and a lot of modernist artists have it.

14. Goals and objectives.



15. The computer allows all this to accelerate significantly.



16. The shadow of artificial intelligence.



17. The sphere collapsed, what next?

Exit to space ... abstracts. This space does not have a simple geometric shape. The last few years, I have been mining (like mining bitcoin), this space in my works ... I see it, I am accumulating it as an experience. I, here it can already be said bluntly - I believe that from the moment of awareness of the superficiality of human existence - the shell of everyday life is destroyed, the sphere is destroyed, a way out into something else opens ... The modern geometry of the picture space is the space of all social games, but the awareness of their sphere, exempt from them. If you know something, it no longer bothers.

18. Artificial intelligence: the end of humanity ?!



19. Exit from the matrix.

I saw a way out in the fact that each person follows the path of all mankind, that is, not humanity develops, but each person develops individually, each time his sense of life is equal to understanding. Sensation is one axis, understanding is another. These are the coordinates. And the space itself - not to see, when we feel, we see it flat. When we understand, we also see it flat, but in a different way. A person actually exists in this large world, but has a limitation of his perception. And social games are various combinations of oppositions of these axes, that is, in this invisible space of combinations of axis reflections, everything happens, and a person leaves this space of his thinking - radically solves the problem of artificial intelligence. Because artificial intelligence, it is a terrible shadow that looms on the wall. When we ourselves are a shadow, this problem seems dangerous to us, but when we stop feeling like a shadow, and - we restore from the projections the invisible object itself, ourselves, then this shadow simply can not scare us, but it is our own shadow, that is - artificial intelligence is the shadow of a large object, that is, of ourselves. Starting from time immemorial, with the myths of ancient cultures, there are ideas about art, about everyday life and about a large space, in various images, in various terms. Not that this connection needs to be created, it already exists, not to lose it.

20. Afterword.

And now, more than a year ago, you and I left this place. And then they came to him and look what happened here this year ... I don’t even know which side to hang from ... This is nature, this is what nature itself does with our ideas about it ... And, if academic painting is an apparent reflection a man of nature, here nature itself reflected the thinking of man ... An attempt to look into the eyes of nature with which she looks at us. And this look of her is our thinking. We are locked between two mirrors reflecting ourselves ... "Ah, life itself ... It washes away, washes off (paint), some details remain, textures, spots appear, and all this turns into painting ... By nature itself. Simple and human thinking, it is the same ... And with our thinking we erase everything superfluous, wash it off ... "On the computer, it is easier to do it ... That is, here, unfortunately, there are difficulties with the installation of the exhibition. And an exhibition is a metaphor, that is, it is a form ... Form is an exhibition. The form of the picture, which in general, in the public consciousness has no form, it is equal to zero. She can be anything. And it makes no sense, he is subordinate to the social roles that these or other participants in the artistic party play. And as a result, thinking is isolated from awareness. Awareness of what? The awareness that this is not a perfect world, but there is some other ... Sergey, let's work ... ”Ah, well, everything, come on, yes.

Captions: Andrey Khanov, art blockchain artist and postmodern philosopher, Moscow, Russian Federation.

Sergey Kukharuk worked on the film.
2019.
The end of the film.



  • About me
    Я работаю в жанре авангардной живописи более 35 лет, за это время прошел путь от постживописной абстракции до крипто-концептуализма и, возможно потому стараюсь избегать слов "искусство", "художник", "культура", "современность", тем более - "арт-рынок", как и вообще - любых определений - потому, что точно знаю, что любые слова - обман. Главное - самому не обмануться.
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